- Avant-garde
- Black
noise
- Illbient
- Dark ambient
- Experimentalism
- Power electronics
- Leftfield
- Neoclassical
- Dystopbient
Comment:
heavy or light, new and old, predictable or totally unknown: the
important here is the dynamic of the music. A continuous exploration
of sound. This is a description of the imprint Vacu Sessions of which
description is literally relevant to Narayana's whole as well. I
could add one more sentence to it – this is blackened and even more
blackened, occult and spiritual. Similarly to most of the releases on
Vacu Sessions Narayana's one consists formally of one composition of
different merged sonic facets. The listener can hear acute noisy
outbursts and malicious fadeouts, horrendous reverberations and
stealthy serpentine monsters to leap to your backyard. And
heartbreakingly wailing women. Tectonic basses with low frequencies
are varied with high-pitched sounds as if being vamped up by the
debris from an abandoned junkyard. As if a soundtrack for a story of
H.P. Lovecraft, a tribute to Ctulhu. I mentioned the word soundtrack
and I did suggest it with proper intention because the main course is
somehow cinematic, spookily cinematic. Masterfully horrible,
skillfully epic.
