- Avant-garde
- Rhythmic noise
- Post-industrial
- Experimentalism
- Leftfield
- Noise
- Sampledelic
Comment: Popsonne: portable noise
generators, effectors, home made instruments, microphone, Ruelgo:
beats, scratch, effectors, microphone, Scramble System: laptop,
effectors, didgeridoo, toy instruments, microphone. Indeed, these
guys with these instruments are behind the project which started off
in the 80s as a cassette label to foster then underground culture
(based predominantly on tapes). The result is frantic and highly
galvanized through innumerable combinations of noises, electronic
effects, sonic techniques and even funny samples. As the title
assumes it either. One could imagine as if standing in a scrapyard in
the middle of deformed metal artefacts and then the metal meets noisy
instruments sent to recycle it. Noises are generated by machines and
the result could sound someway like this 7-track outing. For sure, it
is deliberately channelized and treated, you can hear rhythmically
stomping patterns and electronic growling and droning intensity. As
if the electricity were interfered with interruptions and phase
disturbances. The issue is a part of the discography of Attenuation
Circuit. How could it be described more properly – beautiful shit
maybe.
