- Drone pop
- Indietronica
- Organcore
- Alternative pop/rock
- Art
pop/rock
- Gothic rock
- Electronic
- Indie
Comment:
undoubtedly this shit rocks your socks off. In fact, Hanging Freud
has always rocked off, of course, by doing it at their own disposal.
For sure, it is an example of rock music though an example of rock
music of what rock music should be ideally. However, there it is,
drawing on hefty drones and Paula Borges` seductive singing. I can
remember for the London/Brazilian duo of Paula Borges/Jonathan
Perez`s first album
Sunken (under the Brazilian imprint
Sinewave) which was something special and still persistent in my
memories. I have traced their path thereafter and without any
disappointments so far. The same could be said about
Anomalies
either. I guess the 4-track issue can be considered the most minimal
record in the duo`s discography. As I already said before the hefty
cathedral-based drones implicate apocalyptic associations in this
mirthless world like a counterpoint in Bram Stoker`s
Dracula where
the Count yarned with diabolic pungency about his ongoing travel and
beginning life in London. Actually this short-running issue needs no
more words to be described but instead of it inducing addiction to
repeat it again and again. And again. Paula Borges` flickering vocal
used to tower atop the drones and then again the elements will be
changed with regard to placement like a couple of curvy lines within
the histogram used to meander against one another.
Leave is
the organic interlude about employing concrete sounds to alleviate
the impending obliteration. By kindred souls you can find out some
similarities to the likes of Radiohead, and Portishead. Indeed, the
heads to be hanged.
