- Ambient noise
- Guitar
ambient
- Art music
- Musique concrète
- Field recording
- Epic
- Avant-garde
- Illbient
- Experimentalism
- Dark ambient
Comment:
imagine there would be such a kind of artist on the stage of
Eurovision by poisoning the lousy taste of the present superficial audience.
Hiss and microscopic noises coming through very huge loudspeakers
would spread everywhere and conquering the senses of the audience on
120 decibels. This could be an apocalyptic, transcendental experience
for them by indicating what would happen if they continue live a
decayed life. Like standing face to face with the Grim Reaper who
moves his scythe like an electric guitar and as a consequence
cranking up the decibels. All would be bleeding – their ears, eyes
and noses. Through pain and smell of blood they could experience
majestic beauty of mixed machinery and lost humanity once generated
by heroes. Indeed, this bunch of 9 notches is the ennobling chaos of
a managed process. You can enjoy different sonic monoliths over
there, at times more abstract, at times more emotions filled
soundscapes. All of that sounds fairly in an elemental way. With
regard to Portugal, it is the case indeed, because the artist comes
out of Portugal and is a part of the discography of a Portuguese
imprint, Enoughrecords. For sure, one of the most impressive and
consistent and multi-layered issues in 2018 so far.
