- Ambient pop
- Space pop
- Electro-acoustic
- Electronic
music
- Alternative
- IDM
- Sampledelic
- Drone
- Kraut-electro
- Indietronica
- Ambient drone
- Post-rock
Comment: if to
compare TT-ram and Lutz Thuns´ collaborative release
Hypnosis
(2017) to Roswell Conspiracy`s 8-notch outing
Les Fragments
Anodins I can assume both of them are suggestive enough ambient
inflected releases though pushed in different directions and
showcased with different accents. The recent one is clearly more pop
oriented and do away with morbid dark ambient infections in overall.
Yet the term “pop” within the last sentence does not suggest
something decayed and inferior at all. More profoundly, it does mean
melodic and harmonic and intriguing at the same time while moving on
through its multi-layered path. Partly it can be compared to the
artist`s compatriots The Air`s more experimental doings. However,
Roswell Conspiracy goes certainly beyond the above described
adjectives because of employing tight and sticky droning at
Rien,
for instance. At
Non the artist goes into a spacey
post-rock/indie electronic quest. Here and there the listener can
partake in cool electro-acoustic embellishments, some shreds of samples, hypnotic muffled signals and arousing electronic effects which used to stir the rest of the structure of a
composition in a dizzy way. Many compositions are wrapped up in enchanting hisses and microscopic noises. The pre-eminent outing is a part of the
discography of Abyssa.
