- Experimental
electronica
- Avant-electronica
- Electronic music
- Improvised music
- Experimentalism
- Avant-garde
Comment:
thereafter I had perceived the analogue charm of Death Tricheco's
Party Music I felt strong discrepancy with 6-track release
(clocking in at a 49-minute) because it seemed to be so modern,
straightforward and aggressively incisive. Cecilia had played synths
and Wenchi had played on electronic drums but it was being very far
away from any kind of electronic device-led pop music. It immediately
embarked on with culminating progressions giving no traditional way
to progress stepwise into something bigger and enchanting. Later on,
the culminating peaks would be reconstructed and you could see more
sublime effects and distinctive features covering the bottom. From
the top to its very bottom. The electronic gross sonic volume would
be minimised and changed into different lines and segmentations
having been followed by one another. At the final part the music is
being dominated by grayish electronic torrents and intense
signal-alike rushes. That's effective. That's the effect. In the
final track you would be a witness of the duo's tongue-in-cheek
attitude. The ear-provoking issue is a part of the discography of Pan
Y Rosas Discos, an active imprint from Chicago, Illinois.
