- Noise
- Avant-garde
- Experimentalism
- Microtonal
- Drone
- Leftfield
- Non-music
- Minimalism
- Ambient noise
Comment: noise
as a genre is considered as the counterpoint to the music.
Undoubtedly there has been a set of strategies. One of the purposes
of the noiseniks is to undermine the role of pop music through
conquering the area by taking it over. Given that there must be
attributes belonging also to the (pop) music. For instance, melodies
and harmonies. By talking about such artists as Glenn Branca, and My
Bloody Valentine you can agree about the fact their inner power and
verve was adeptly bound to something larger-than-life. Truly melodic,
truly epic something which used to be bigger than life. At some point
even better than dreams in fact. Because it used to be witty as well.
The same strategy seems to be the base for this 3-notch outing by
Roger Haddad whose music is very loud and resonant yet involving
majestic climaxes even if it is minimally running through microscopic
changes and colours in timbre. Noise can be negative and noise can be
positive. The first of them is clearly pointed to destroy the
structure of something, the other pigeonhole is to represent
something on its own. On the issue there are represented both of the
categorisations. The release is a part of the discography of Rack And
Ruin for this 3-notch outing by Roger Haddad whose music is very loud
and resonant yet involving majestic climaxes even if it is minimally
running through microscopic changes and colours in timbre. Noise can
be negative and noise can be positive. The first of them is clearly
pointed to destroy the structure of something, the other pigeonhole
is to represent something on its own. On the issue there are
represented both of the categorisations. The release is a part of the
discography of Rack And Ruin (rr023).
