- Improvised music
- Electro-acoustic
- Avant-garde
- Psycho-acoustic
- Sound poetry
- Avant-jazz
- Experimentalism
- Free jazz
Comment: in
fact, there is much to say about this set of 6 compositions because
it is musically and emotionally complex, intense, and mind-provoking.
All the music is conjured up by such instruments as kalimba, modular
synth, cello, bass guitar, trumpet, voice, and invented instruments
(so listen to the issue to figure out the instruments more
concretely). It can be said the issue is an fine example of
interesting sounds yet all of that will constitute a perceivable
whole subsequently. For instance, Sabrina Siegel`s vowel effects and
other kinds of sound poetry (additionally I remmond listen to such
artists as Maja Ratkje, Jaap Blonk, Roomet Jakapi) used to range from
soothing to hirsute, the same could be said about Tom Djll`s
synthesiser effects which used to lay over the whole spectre atop, at
times changing into something being close to emergency signals. At
times it is free jazz with modifications, at times it is more
electro-acoustic music with creepy variations, at times the combo
enjoys its more silent yet idiosyncratic soundscape being obviously
winded from intense sections. Yet its architectural buildup is
somewhere between the aforementioned styles. More profoundly, the
tempo is slowed down, in fact it is the main approach of determining
the pace which is accelerated by spasmodic trumpet whiffs, zigzag
acoustic noises and Siegel`s incisive vocal acrobatics now and then.
The lower tones are conjured up by a cello, and a bass guitar. The
issue is a part of the discography of Pan Y Rosas Discos. As
Heraclitus said many thousand years ago that no man ever steps in the
same river twice the same could said about the recent one with regard
to the perception of it.
