- Avant-rock
- Experimental rock
- Noise
- Post-hardcore
- Blues
- Noise rock
- Avant-garde
- Doom rock
- Hard rock
- Electronic music
- Glitch
- Crossover
- Leftfield
Comment:
approximately 15 years ago one Estonian music reviewer stated that
music is impressive only if it hurts. Unfortunately he did not
elaborate on in which way it should have appeared. I hope Gogo
Yubari's 14-notch outing is a slot to provide answers to it though
the final answer cannot be declared anyway. Gogo Yubari's music is a
sway between deliberated madness and technical possibilities, between
blues and hardcore influenced developments into noise and noise rock.
And the combo's noise rock is obviously influenced by Sonic Youth,
and The Pixies but the influences are magnified and deranged by solar
storm. All the radars are running out of power only the power button
is switched on. Oh mother I can feel the soil is falling over my
head.
The Lepidotrepist
is a disparate case because of being subdued by its moody approach
but by its nature it is a vanguard case with extended and reversed
guitar chords. It is a convincing warped world.
To
The Ends Of Unearth is
another exception wherein guitars and vocal part are slowed-down into
an example of alien doom rock. Fairly impressive. It might be
The
Exodus Of The New Work
is the most conventional work on it though these energetic steam
guitars are loaded with Motörhead-alike
dynamics. On the other side, there are also up more electronic and
glitched-out experiments full of tension, electricity and galvanised
abstractions. The miscellaneous outing is a part of the discography
of Small Bear Records.
