Comment:
if somebody does know or suspect how I used to choose albums for my
blog than it will happen truly randomly. I have no methodology to
choose from within the bunch of releases waiting to be commented. Last albums I have reviewed I have used the terms
“avant-garde”, “experimentalism”, “leftfield”,
“post-industrial” steadfastly for them. It is quite annoying to
speak these words from one review to another but in the world of the
web albums these seem to be prevalent labels. It is just to mention
it for the sake of truth. In fact, the net label-based world is a
perfect world having no main drive and intention toward money and
revealing a human being`s intention to set himself/herself free and
experiment with sounds in his/her free, natural state. This 3-notch
issue starts off with bass frequencies to progress into a resonant
span of wobbly electronic effects to progress into the main narrative
– into a massively resonant noise template which at the time also
striving to more higher, even majestic perspectives in format and
concept. More masculine elements used to vary with feminine sonic
aspects, from more powerful investigations to more light
developments. At the beginning at Demo 18 one can hear the
inclination toward atmospheric guitar/shoegaze world. It can be
concluded it will ultimately establish a decent whole for pleasure of
all of us because of not employing oppressive (harsh) noises to kill
other aesthetical seeds and twigs around it. The issue is a solid bit
in the roster of Tape Safe.
