Comment:
in the first track there are up occult, wonky Jamaican dub rhythms
which later will be complemented by more Western elements though it
is still disputable by its nature. However, it is a bit of
voodoo/witch man stuff anyway where the witches prepare their audio
systems in the way to have an addictive impact on the listener. It
involves many different vibes and cadences and thereby this 15-notch
outing can be considered the sort of breakcore issue. More
profoundly, from dub and electro to post-dubstep and skidding
synthesised frequencies and uncanny electronic propulsions to noisy
interludes and undulating wonky vibrations. At Rhino one can
experience being sustained by a deep/ambient plateau being backed up
by crunching, needle-shaped rhythms. That's very epic and dynamical
and narcotic simultaneously. It is followed up by Potemkin,
the spacey electro hip-hop per excellence. Indeed, the listener
undergoes many metamorphoses though some of them are microscopic ones
and used to succeed in a logical order to one another. So yeah, there
are represented both change and homogeneity/consistency. The issue is
a part of the discography of Pavillion36 Recordings. It is the French artist
under the French imprint. In a word, it is a solid French case.
