- Alternative dance
- Club dance
- Kraut-techno
- Techno pop
- Tech-electro
- IDM
- Avant-techno
- Experimental techno
- Motorik
- Micronoise
- Glitch techno
Comment:
one part of the rhythmic sort of music has been related to the
depiction of speed and driving across the highway and staring at the
dotted line. For instance, it was so by Kraftwerk, and Neu!. Argentinian Luis
Marte's
Routier is a
successor of this glorious motorik rock/krautrock-esque tradition
though doing it in a techno-based and IDM format (at
Grenade,
and
Not Find
Another Like one can
hear very Kraftwerk-esque whistling bleeps wandering throughout the
pieces). On the other side, it is hard to estimate do come there
influences either directly or not. It might be these ones come
through the neo-krautrock and IDM and clicks and cuts and glitch
scene, i.e therefore indirectly (being presumably influenced by such
artists as Seefeel, Jan Jelinek, Mark Van Hoen's projects, Autechre,
Mouse On Mars, Kreidler, To Rococo Rot). More profoundly, the artist
is obsessive at lying around beats and humming sounds and elegant
noises thereby creating the impact of watching the panorama while
driving into the sunset. Furthermore, these rhythms could freely
create a soundtrack for road movies (Vanishing Point, for instance;
just remember astounding Primal Scream's album of same title being
influenced by a cult motion picture). All in all, it is a beautiful
(techno) outing by
analysing it from different points of a space. It is a bit of the
discography of a Chilean imprint, Pueblo Nuevo.
