- Electro-acoustic
- Avant-garde
- Experimentalism
- Microtonal
- Musique concrète
- Field
recording
- Sound art
- Sound poetry
- Micronoise
- Non-music
- Abstract
- DIY
- Lo-fi
- Leftfield
- Experimental electronica
- Primitive music
Comment:
undoubtedly it is a mind-boggling issue though while listening to it
for the first time it might take some minutes to align yourself to
the austere and somehow buried level of this 10-track issue. It is
partly music and partly not in many appearances. Firstly, the artist
from Sào Paolo, Brazil exploits recorded field sounds and recites
and chants her poetry in an awkward yet suggestive way. Indeed, it
could be tagged as lo-fi music but the tag for figuring out the
artist's intention and goal does make a little sense. Given that
there are represented infantile melody snippets being mixed up into
hiss laden soundscapes which would pop out and then lay out from
unknown sources then the tag primitive music might even be a more
proper definition. For a music listener, to listen to this issue is
like being a part of everyday life where the ups and downs come in
succession and more brighter moments are varied with more depressing
ones. The Brazil artist's music is a subject to an intersection of
sound poetry, warped electronic effects, microscopic noises and hazy
flickers. In a nutshell, this intriguing issue is a part of an
intriguing Brazil imprint, Malware.
