- Alternative rock
- Indie rock
- Power pop
- Art rock
- Post-rock
Comment:
it is always great pleasure to arrive at the discography of the
Nethelands-based imprint 2419 Record Label due to the quality and
diversity of aesthetics. In fact, you will never know what is the
next turn in sound you while picking up on the discography
nonetheless the issues are described with some hinting tags. For
instance, the last outings being reviewed at Recent Music Heroes
Basnie`s Les Pays-Bas (2008) was a haunting yet stupefying
blend of spoken words, electronic music, post-classical progressions,
tango, found sounds, drone pop, which in turn was imbued with a
retro-futurist sensation. Tunnelbird`s Hohner Sessions (2015)
takes up on blues influenced psychedelic garage rock with hints at
raga and acid rock. However, with regard to the first named issue the
recent issue is a starkly disparate case because of getting a booty
by riding on the guitars and drums which at times are complemented by
by hoarse, tortured, and softened vocals by the occasions and
recherché keyboard stumbles. More profoundly, those eight
alternative rock and post-rock and art rock drenched numbers from
Barcelona, Catalonia used to swing between loud and lofty riffs and
more restrained strums being at times converted into a blissful still
life. By the way, the release will be finished off by a mellow
acoustic ballad. In a word, the collaboration by Gerard Gual, Jose
Martinez, David Montón and Àlex Garcia places it into a column of
other solid releases of 2419 Record Label.