- Alternative
- Electronic music
- Synthwave
- Indie
- Kosmische Musik
- Minimalism
- Experimental pop
- Leftfield
- Electro-indie
- Acid rock
- Singer-songwriter
- Minimal synth
Comment:
maybe I am remembering wrong
but the Frenchwoman Nathanaelle
Hauguel is setting
the pace to be even more
experimental and electronic with any following issue. However,
with her 28-year old age she has done much enough
because it is hard task for
someone to enumerate all her
issues at Bandcamp. It is the privilege of an
artist to be remembered for
always and differentiate from
the mob with her/his distinctive ideas. It is a striking listening
because there are up different elements of contemporary indie music.
Indeed, it is really up-to-date because this 8-notch issue could be
divided into two sections. There
is up the surging acid rock of Adelaide
Crescent, there
are
up Stopthefellow II,
and Off
The Veins which
are
tickling minimal synth numbers.
Feer
is an expansion of the previous pieces coming to fruition with
angelic pop chord progressions and
a tight yet spherical synthesised layer.
The first 7 compositions and
the last one Saturn
Returning, which
comprises almost a half part of these 33 minutes. Of
course, it does not mean that there can be no dividing line between
the first pieces. Any of them is special with poignant moves and
impetus and robs you yet the last one is a step into another
world with those analogue-based (or analogue-alike) fabric of dusty
keyboards and minimalistic rhythms being more similar to such artists
as Oneohtrix Point Never,
Emeralds, Steven Hauschildt, M Geddes Gengras, and
Tim Hecker. In a word,
Saturn Returning is
a subtle minimalistic composition
based on a cut-up
chord progression, which might even remember for Penguin Cafè
Orchestra and Daniel Figgis by
its feeling and touch. In
a nutshell, you shall have to make hard work to find out other such
outstanding issues as
it is from
the year of 2016.