Comment:
this issue can partly be considered a found sound issue and partly an
industrial/noise one because the base of this 16-notch release is made of
recordings from an industrial workplace. Indeed, the creator of this
overwhelming release firstly recorded the sounds of machines and the machinery
to later mix them to a mind-blowing waterfall of noises. The next question may
be of how to convert these abrasive sounds to one’s emotions? Is there any
proper interface to endorse it? I can say there is no problems with those
anonymous compositions that are done for you in an easy manner. Theoretically
and practically the artist follows the binary between noises and silence though
in fact the noises are being remarkably more tangible on it. It is even to the
extent that the listener can perceive as if there is no longer space for those
intense frequencies to be housed. Furthermore, it is life and the work
environment for many of us. On the other side, it is a piece of art, though
tough art. The issue is a bit of the discography of CS Industrial 1982-2010, of
which purpose is to reaffirm industrial tinged music from the aforementioned
span of time either from the former Czechoslovakia or separate parts of
them at later time.
