- Dark ambient
- Acousmatic music
- Illbient
- Experimentalism
- Drone
- Post-industrial
- Dystopbient
- Neoclassical
- Avant-garde
- Electro-acoustic
- Minimalism
- Microtonal
- Psychedelic
Comment: in this collaborative album a couple of
long-running compositions are expertly presented. All those microscopic and
minimalist changes in timbre and motives, overlapping droning and
electro-acoustic elements create something of a drunken mood. At times the
changes are remarkable and clean-cut, for instance at Gaping Gap at a 12 minute when cathedral-alike organ layers will be
added to the mix. Indeed, the change is formidable as if an example of reversed/black
church music. Later on, some concrete sounds/sea waves will be added to the mix
thereby the track will end in a tranquil mood. Kaleidonoise deserves its name thoroughly because a shitloads of
sonic elements will be added to the track. For instance, the listener could
discern wind-up sounds juxtaposed against faint symphonic progressions which
thereafter will be changing and rendering into different patterns. The listener
could listen to many thought-provoking sonic combinations which frequently sound
psychedelically. It is more indie music by its nature than most of those
ensembles considered under the tag stylistically. Moreover, it is a vivid drift between conscious and subliminal levels, between the visible and hidden. In a word, the result is a spellbinding
glimpse into an universe where no one could feel himself/herself safely. Apparently. The issue is a part of the discography of Dadaist Audio.