/IDM, Electronica, Breakcore, Musique concrète,
Mood music, Modern classical, Crossover, Chilltronica/
Comment:
this handful of tracks is composed of different stylistic aspects, however,
sounding consequently like a suite for an art performance or puppet show in the
art house or puppet theatre, respectively. For instance, Denentoshi has been spliced in the way to draw on rushed, angular
beats which ultimately make up like an instance of breakbeat music, however, providing
the backup for major piano chords. It might remind of Dave Keifer aka Cagey
House`s aesthetic in a way. However, it the track does have a marked cinematic
factor inside. The other tracks used to appear in more calm, laid-back mood
allowing the listener to enjoy rainy Sunday morning. Anoxia involves a serene doo wop fuelled female vowel effect or
ringing like the main theme from a soundtrack of the 60s/70s European motion
movie (a la Caravelli, Paul Mauriat, Raymond Lefèvre and others). The title track takes on beeping
synthesizer signals and coiling theme developments, however, creating enthralling,
almost psychedelic contrast and feel of encompassing the whole. Ostsee crosses the sample of passing cars
with light-hearted piano chords and snappy rhythms beneath. It is a great album
by any means.
