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2/06/2012
D’INCISE/HENNIG/KOCHER/SCISS - D’INCISE/HENNIG/KOCHER/SCISS (2012)
/Sound art, Electro-acoustic, Abstract electronica, Avant-garde, Microtonal, Experimental electronica, Improvised music, Experimentalism, Noise/
Comment: there is a connection between Switzerland-based musicians, and between accordion-induced music and nuance-filled live electronics. Three laptops and one accordion. There are 4 long-running compositions which comprise a shitloads of improvised tendencies and refreshing variegations. More concretely, this is a dialogue between organic sounds and more or less treated microscopic sonic explorations, between the acute washes of noise and barely perceptible silentful oscillations drifting between music and...mhh...physics. The album is a shift between the pixels and voxels of white and grey and black-hued minimalism. Or on the other side, this is an intricate and intriguing set of improvised tracks wrapped up in the electro-acoustic/acousmatic environment.