/Drag, Avant-electronica, Experimental electronica, Newbreed, Crunk Shoegaze, Avant-electro, Witch house, Trianglecore, Avant-industrial, Haunted house/
Comment: in the wake of a powerful hype the witch house movement has already grew out of the borders of the United States as its birth place, and so you should not be surprised a tthe moment at all to discover the band names referred via different sorts of (symmetrical or non-symmetrical) magical symbols (mainly crosses and triangles) from somewhere else in the world. On the other side, all this vast bunch of stylistic tags ascribed to this genre to date, is growing with every new day. "Drag", "witch house", "crunk shoegaze", "screwgaze", "ghost step", "zombie rave", "witch wave", "broken-clash", "newbreed", "rape gaze", "okkvlt", "haunted house", "trianglecore". And "noirgaze" as well - the last mentioned stylistic restriction is invented by my side. Further, it is quite thinkable that lots of band titles in future will not be expressed in words (because it is impossible to enact it into clear intention), but instead of it the names will have been described just by zig-zagging (or drawing lines) with fingers. It would be similar as the making of the Sign of the Cross.
It is impossible to find out some information about a project symbolized out as ~▲†▲~ except his/her residing place (Moscow, Russia). A set of 6 tracks of obscure soundscapes, which are obviously influenced by dark wave and shoegaze legends (My Bloody Valentine; Lycia) and sustained by murky, EBM/industrial-infused cadences and buzzing low-end synths, besides it having a joint point with the chillwave music through blissful kind of fluorescence leaped out from the noisy crests. Altogether, the release seems to be one of the best sonic results in the fictive realm of dark-hued world throughout th etear 2010.