/Experimental techno, Experimental electronica, Dystopbient, Glitchtronica, Abstract techno, Avant-electronica/
Comment: lots of murky glimmer, lots of devouring beats, lots of dystopic, industrial-inflected landscapes, lots of vibrant floatation and on the contrary filled in with chopped electronica, all of that established by Takeshi Nakamura, a Japanese electronic musician on the legendary Zymogen label. Thereby, more concretely, it seems to be part of the experimental techno scene, on the other side, it leaves itself to be quite remote of all, of any scenes. If to regard Nakamura`s dissipation into restraint moaning effects it can be considered a sort of zombie techno either. It is a quite depressive yet interesting album.