/Industrial rock, Avant-garde, Experimental, Improvised music, Psych-rock, Noise rock, Non-music, Experimental rock/
Comment: Alexei Borisov has obviously been one of the most eminent and well-known names after Sergey Kuryokhin in and outside Russia (and in the area of the former Soviet Union as well) regarding any kind of cutting edge music. Previously known by his participations in different groups and his profound workouts in electronic music, however, his recent workouts for few late years are more closely related to a poet, namely to Alexei Rafiev, and co-musician Olga Nosova. The last named one is involved as the gearhead and vocalist in the Moscow noise band Motherfathers. The album is quite huge consisting of 20 tracks, however, representing a propulsive endeavour taking on innovative industrial rock attacks and noise-core overthrows. More detailly, through those very dense improvised scapes dominantly can be perceived some influences by Einstuerzende Neubauten (exactly the early era of the Berlin legends) and even voice patterns similar in a way to the manifestations of the Fall`s consciousness Mark E Smith. Indeed, on the basis of this delightful appearance of noise (rock) and endless energy can be said that Borisov arrived at his roots again.