/Minimal techno, Electro, Electro pop/
Comment: First of all, a meticolously adequate description can be borrowed from the 17 Sons` website. /...made by drifted machines producing linear, techno grooves with impulsive modulated sounds/. Indeed, it sounds like a vulnerable Krafwerk-esque template in the 21th century based on minimal layering, more profoundly, on the sequencer-evoked beats with moderately dosed but at times progressing electro torrents in it. As once Karl Bartos said in his interview to the Estonian newspaper Postimees that people should more listen to the Beatles than nowadays minimal techno (reportedly overwhelmingly prevailing in Berlin) because the former lacks of melodies (to be remembered every band needs to have it as Kraftwerk once had it). Regarding the Nihil Limit`s sound, indeed it is being devoid of having melodies in the classical perspective (and apparently cannot be remebered either), yet, the whole is embellished with harmonic halo oozing from the rhythm structures (and coming still close to Kraftwerk`s sensitive robots). In a nutshell, although having no vision about this quite profilic artist`s previous workouts, the recent issue (of 5 tracks) makes hugely sense now and here.