I have wondered for myself for a while that the web-based music has had inverted outputs regarding its charts somehow. First off, at the top of download rates can be seen some curiosities and non-musical phenomenons (The Conet Project - Recordings of Shortwave Numbers; Wakka Chikka Wakka Chikka: Porn Music For The Masses). Besides it, some labels (Clinical Archives; Torn Flesh Records) concerned on the most lateral scenes off the pop music centre have reached off a thousands of download rates per day, which apparently does mirror for the crowds of experimental music-oriented lads and gals to be veiled behind the Internet music. By the way, this tendency is closely related to a hype relied upon the drag/witch house/crunk shoegaze/screwgaze movement, which uprising trajectory had initially been a matter of the blogosphere only.
Indeed, Torn Flesh Records is a label with increasingly growing discography, which spot is basically focused on bellicose dark/black/grind/noise, on the first place, and electronic overthrows applicated to it, on the other side. In fact, Jessie Martin aka Ylnez Payne aka TakeMeToTheMorgue! from Stuart, Virginia, vis à vis with the label does have a bit different reference set, delivering its touch on (modern/neo) classical music-inflected shots (15 tracks). By its fundamental aspect, of course, it is buried into dark and funeral - still slow-paced rhythms are sometimes stopped to be accessed to the ground, segued seamlessly into lethargic sleep to get have lots of plays with shadows and roaming between the visible and invisible in Nowhere Land, or on the other way, having fast run for noise-near peaks and raging low bass tectonics.
Listen to it here
8.5