First off, the description "Cody England from USA" met at the record site sounds very amusing way, isn`t? By this way, I can remember for that Dallas, the Estonian indie frontband by 90`s was also made fun of it the same way at times ("Dallas from Tallinn"). However, the Arkansas-based musician is described as "a part-time assistant librarian and a full time creative", which actually says much about his dedication to the creating process. He made his debut this year, having released two issues to date. The debut The Metal Band from Hamburger Land (an apparent reference to his previous employment) showcased his adoreness toward minimal songwriting approach with deeply lovelorn lyrics and taking on some bittersweet arrivings at memories. Yet, the conception of his opening album was a bit too fragile and loose, where the parts of it were set apart from each other, sounding sometimes as a set of the Christmas songs for the lo-fi crowd.
No doubt, the sophomore one is much better evolved into the impressive output, though, based upon the same instrumentation as the previous time. His music is played up with cheap yet magnificient effect-drenched Casio synths (I have at home an example of the first series, namely Casio Tonebank SA-1 bought for 300 EEK/ca 25 USD and being properly worked out during the last 10 years), and home organ GEM H-400 as well. His warm, dream-alike voice does make up lots of great resonances with mild organ drones and programmings on the slow-paced/middle-paced/fast-paced mode. Being sometimes serious, sometimes sad, and sometimes funny the only "weakness" is a fact the record is too short (5 tracks within circa 10 minutes). Searching for soul mates Cody England`s approach can be compared to the aesthetics of his home label Rack & Ruin the first place, though, which generalized sonority has lots of common roots with the bedroom music pioneering by The Russian Futurists and keyboard-drones-based-austereness-drowned-into-harmonies of Beach House as well. A strong workout, indeed.
Listen to it here
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