Días de Septiembre - Días de Septiembre (2011)

Clinical Archives
Subwise
Lastfm

8.5

/Post-rock, Epic, Experimental rock, Indie rock, Alternative pop/rock/

Comment: a massive and winsome rock blowup from Caracas, Venezuela. As regarding the concept of die-hard post-rock whenever you may admit that it is business as usual because of being compiled of a bunch of guitar layers, penetrating guitar gears, punching drums, which is spiced up with some electronica inbetween it. Let`s take a ride from the slope of a mountain over to the peak of the mountain and thereafter let`s do contrariwise. Indeed, some guitars are bigger than others.

Nice Age - No Wrong No Right

Dad Lipsticks - Awakening 2007-2010 (2011)

Umor Rex

8.7

/Primitive pop, Primitronica, 8-bit, Folktronica, Chiptune, Crososver, DIY, Hip-hop, Experimental electronica, Sampledelic, Musique concrète, Lo-fi, Electronic pop/

Comment: on the Myspace site of Dad Lipsticks the soundscape of him is described as idiots kissing. If these are about kissing then they are essentially very short kisses (37 notches in all). The tracks do chime almost as angular and low bit-ish as chiptune music used to do. In fact, electro pop is mixed up with chiptune numbers at times. I would entitle it as a sort of clockwork electronica where cannot be overrated the factor of original sounds. Onward, weird bonds with hip-hop, power-drenched electronica, folk and more dream-filled layers, however, it displays its indecisiveness because of having had no certain direction to be chosen. Yet, the ultimate result of it seems to be intricate and pleasant simultaneously.

Johan Reinhold - Shoot Me Down (2011)

Soundcloud

7.7

/Pop rock, Electro-rock, Pomp rock/

Comment: it is a single by Johan Reinhold, a Swedish Grammy nominated indie electro pop artist who is influenced by Gayngs, Nikki and the Dove, Miike Snow and Portishead. The notch is produced and arranged by Astma & Rocwell, and onward Lasse Mortén took care of post-production and engineering. Shoot Me Down is a bombastic effort with hard rock guitar riffs, mellow backdrops and cloying footstalls, and some shamanic vowel effects in the ending part. Unfortunately, it is way too predictable and without any vulnerable (read: intricate) corners within it.

Tobias Borelius - Du känner mig för väl, farväl (2011)

23 Seconds
Bandcamp
Jamendo
Lastfm

8.7

/Indie pop, Indietronica, Poptronica, Electronic pop, Singer-songwriter, Acid pop, Lo-fi/

Comment: this is a relatively short-running, in Swedish sung album. At these 8 tracks may be detected for two tendencies. Sprawling acoustic pop is imbued with a slight touch of electronica, and on the other side it is created with the intention for more electronic-driven ditties. At times it used to be more restraint, sometimes more sunshiny and charming, however, exploiting symphonic keyboards, New Wave-ish synth thudding and effects. At Smaragdgröna Parker is exploited 8-bit/tracker music-alike cadences as if falling to a numerous of dull-coloured smithereens. The favorite of mine is Arkitekten (featuring Lotta Wenglèn), a gloomy gem.

MATER SUSPIRIA VISION - Seduction of the Armageddon Witches

MATER SUSPIRIA VISION - Seduction of the Armageddon Witches {2011} from Diego Barrera on Vimeo.

Apache O'Raspi - Not Phony (2011)

Bandcamp

9.4

/Alt-folk, Folk indie, Dream folk, Singer-songwriter, Free folk, New Weird Mexico, Lo-fi, Experimental folk, DIY, Baroque pop, Electronic, Indie folk, Psych-folk/

Comment: Apache O`Raspi comes out from Mexico providing a fascinating set of idiosyncratic pop songs. There can be detected for a pair dominating lines of influences - first of all, it is instrospective, dream-filled, psychedelic folk and local Latin appearances with die-hard lo-fi/DIY touch and on the other side the album cannot be without making the hints at tropicalia pop/rock a la Os Mutantes and so-called saccharine underground/baroque pop a la Lee Hazlewood. There is one exception either - Frantic Dance takes on more tight flirtation with lustful electronic trickery. The album is sung in English, and Spain respectively. By the way, these 9 tracks are mixed by Benjamin Z, aka Volumina, another awesome folktronic musician from Mexico. In conclusion, you can grab lots of truly elusive harmonies and melodies from out of here (Cereal Mermelada; Junto a ti; Come Up Again; Little Lady). Great!