- Indie rock
- Alternative rock
- Alt-country
- Live recording
- Crossover
- Psychedelic rock
- Bluegrass
- Blues rock
Year: 1989
- Experimental electronica
- Electro-acoustic
- Post-classical
- Chamber music
- Improvised
music
- Alternative
- Glitchtronica
- Avant-garde
- Art music
- Experimentalism
Comment:
this handful of compositions is a consistent blend of rough
electro-acoustic, rugged chamber music, and more sublime ambient and
volatile electronic progressions. Musically it is intriguing to
listen to it because electronic music is seamlessly mixed up with
sounds of natural instruments. For charlatans I guess it would be a
good fare to describe their view of outer space through the
aforementioned elements, of how masculine and feminine genuine/primal
matter will meet each other, of how energy will have been lead in a
proper way. They might be right, by the way. You can not wave off
odds and ends within it because it is the main ingredient to lift the
whole up to the next level. A Smashed
Up World is the final
issue on it and being the right choice for it. The composition will
expand epically due to fine-grained glitches and the dense
orchestrated drone which is going upwards again and again. The outing
is a mote in the discography of EverythingIsChemical.
- Singer-songwriter
- Americana
- Indie folk
- Alt-folk
- Folk indie
Comment:
Liz Chidester is a new singer-songwriter from, Chicago, Illinois, USA who is adept at
storytelling to bring forth oldie traditions through music, lyrics
and memories told once and now by one generation to next ones. It
seems the tradition is something extraordinary seminal which enables
new galaxies of indie folk/alt-folk and also mainstream folk and
country artists to be cropped out. In a word, it is the seminal soil
for singer-songwriters today and in the future. The outing of Liz is
austere but poignantly accentuated to fill one's soul with emotional
coverage and suggestive touch. She says these five songs are the most intimate she has ever written. It had been created during the worst winter storm in Chicago in 2014. All in all, let it be a boosting
engine for your world of imaginations.
- Tech-house
- Club dance
- Alternative dance
- Deep house
Comment:
I am sure it was a happy period of time in the beginning of the 00s
when such labels as Epsilonlab, Thinner, Kahvi Collective, Autoplate,
and Monotonik started off to develop a new, net label-based platform
for the club oriented scene. For example, there is up Jeff Bennett
with three compositions full of trance-y magic being conjured up by
monotonous yet enchanting techno influenced beats in the vein of
house music. Frequently the techno influenced vibe will be jettisoned
for more deeper and nocturnal vibrations. It is far more than just a
collection of tracks - it is the feeling, it is the mood. It is the
superimposed quality of variegated beats and sublime softened
synthesised chords and synergy pouring out of it. For me, it reminds
of those times approximately 20 years ago when club music, especially
deep house, and drum and bass were those styles which would influence
me profoundly. Top tier, for sure. The issue was the first release in
the discography of Montrèal-based imprint Epsilonlab.
- Indie pop/rock
- Art rock
- Space pop
- Glam pop/rock
- Alternative pop/rock
- Live recording
- Psychedelic pop
Year: 2011
- Post-rock
- Improvised music
- Avant-rock
- Post-classical
- Drone
- Chamber rock
- Experimental rock
- Live recording
- Minimalism
- Leftfield
Year: 2002
- Improvised
music
- Avant-garde
- Electro-acoustic
- Live session
- Experimentalism
Comment:
a first thought of mine was it is music for cello, and live
electronics. However, I was totally wrong because instead of a cello
Daniel Barbiero plays a bowed double bass, and Ken Moore employs a
tam-tam (it is a percussion instrument consisting of a metal plate
that is struck with a soft-headed drumstick). It embraces seven
improvised compositions full of space, and time, full of different
frequencies and changes within it. Even if one used to think of it to
as an austere one because of a minimal amount of instruments it is in
fact a far more than a sum of its initial parts. It is saturated with
grayish delay effects, achromatic reverberations, some gong-induced
slams and mournful drones beneath it. In the terms of metal as an
element, it is filled with different sort of clattery, rusty grinding
and reddish-tinged rattles. It must be called synaesthesia, if you
hear colours or at least the spectra of them. This could be a good
soundtrack for a contemporary gothic motion picture, at least to
depict some (horrendous) scenes within it. As I understood the tracks
are not recorded in one and the same place, not during the one
tenure. The issue is a part of the discography of Chicago, US-based
experimental imprint pan y rosas discos. Very intriguing outing
indeed.
