Blogiarhiiv

4/23/2019

Obasquiat – #Drops (2019)




  • Drone 
  • Avant-garde 
  • Experimentalism 
  • Improvised music 
  • World fusion 
  • Field recording 
  • Musique concrète

Comment: it may be the easiest way to describe this album through the examples of other artists' music, through such examples as Ashtray Navigations, Uton, Kemialliset Ystävät, Six Organs Of Admittance, Charalambides, Tont, Sam Shalabi, Natural Snow Buildings, Children Of The Drone, Vibracathedral Orchestra. More profoundly, the common thread of the aforementioned artists is droning. Droning through different aspects and accents, through ethnic and folk music of Asia (from Middle East to Hindustani peninsula), through modern day folk, through post-industrial and psychedelic angles and patches. Another common thread is improvisation. To put together drone and improvised music it can be summoned as experimental. One can see droning as the hard core of this 15-notch issue yet improvisation can be considered as the intention and thought of the whole. One can hear volatile clouds as experiments with concrete sounds and open spaces, voices and vowels which used to rotate inseparably around the hard core. The marvellous outing (the Brazilian Marco Antonio with his guest musicians) is a part of the discography of Sunyatha.