- Field recording
- Avant-garde
- Electro-acoustic
- Experimentalism
- Acousmatic music
- Musique
concrète
- Electronic music
Comment:
similarly to Makunouchi Bento's issue being recently commented at RMH
this swarm of 7 tracks is also very diverse though the accents are a
bit different (and partly the same). More profoundly, the Brazil
artist Jo
ão
Pàdua's adventures in sound used to make out an intriguing apex
based on purgative field recording sounds, elemental sonic effects,
ghostly drones and convulsive sonic progressions and occasional
spoken word snippets and electro-acoustic effects being obviously
conjured up by the contact microphones. Yeah, the result is neither
boring nor lacklustre – it is like standing in the middle of
various channels or dimensions being exposed to all of them either
simultaneously or in a row. By the way, the final part of the final
track called
Janus-Misologia used to progress into an uncanny
sort of psychedelic rock. At times its mystical threads resemble me
Alio Die, for example. Yeah, makes sense once again. The provoking
work is a part of the discography of Seminal Records, a Brazilian
imprint.
